Sam
Ticknor
Works About Contact
2026
Undertow, 2026, watercolor on stretched paper, 32 × 40 in
The House of Asterion, 2026, ink and gouache on paper, 30 × 22 in
Yesterday's Painting, 2026, gouache and graphite on paper, 8 × 10 in
For Every Surface, A Book, 2026, gouache and graphite on paper, 8 × 10 in
The Road to Mama's, ink on stretched paper, 40 × 32 in
Grand Canyon Cactus Dreams of Colorado Lake, 2026, ink on paper, 10 × 8 in
Township Park Pond, 2026, ink on paper, 10 × 8 in
First Snow, ink on paper, 10 × 8 in
2025
Thirteen Ways of Looking at a Blackbird, 2025, ink and watercolor on stretched paper, 20 × 16 in
Cerebral, 2025, watercolor and pencil on paper, 10 × 8 in
The Township Park Pond, 2025, watercolor and pencil on paper, 8 × 10 in
Two Paths, Same Stone, 2025, watercolor and pencil on paper, 8 × 10 in
New Morning, 2025, watercolor and pencil on paper, 8 × 10 in
Extra Laps, 2025, watercolor and pencil on paper, 8 × 10 in
Untitled, 2025, graphite, watercolor, ink, and pencil on paper, 9 × 14 in
Walking Home From A Haircut, 2025, watercolor and graphite on paper, 12 × 9 in
Fountainhead, 2025, ink on paper, 8 × 10 in
Green Leaf Shade, 2025, ink on paper, 10 × 8 in
All Autumn, 2025, walnut ink on paper, 10 × 8 in
Deer, Maybe, 2025, acrylic ink on paper, 10 × 8 in
<Dawn>, 2025, acrylic ink on paper, 10 × 8 in
A Winter Project, 2025, ink and watercolor on paper, 10 × 8 in
Change of Seasons, 2025, ink on paper, 10 × 8 in
2024
You Moths Must Leave Now, 2024, watercolor, pencil, and gum arabic on paper, 10 × 12 in
The Sound of Spring Rain, 2024, watercolor, pencil, and gum arabic on paper, 9 × 12 in
Wild Geese Separate, For Now, 2024, watercolor, pencil, and gum arabic on paper, 9 × 12 in
Nearness, 2024, watercolor, pencil, and gum arabic on paper, 9 × 12 in
For Some Strange Reason, 2024, watercolor, pencil, and gum arabic on paper, 9 × 12 in
Settled In, 2024, watercolor, pencil, and gum arabic on paper, 8 × 8 in
On a Rug, 2024, watercolor on paper, 12 × 9 in
The Tower of Babel, 2024, watercolor, pencil, and gum arabic on paper, 12 × 9 in
Haiku, 2024, watercolor and pencil on paper, 9 × 12 in
Knight's Journey, 2024
Tour, 2024, ink on paper, 10 × 8 in
Trek, 2024, ink on paper, 10 × 8 in
Eyepiece, 2024, ink on paper, 10 × 8 in
Hemlock Hollow Road, 2024, ink on paper, 10 × 8 in
SLF, 2024, ink on paper, 8 × 10 in
Camera, 2024, ink on paper, 10 × 8 in
Guidebook, 2024, ink on paper, 10 × 8 in
Journal, 2024, ink on paper, 10 × 8 in
An Uncarved Block, 2024, ink on paper, 10 × 8 in
The Road to Mama's, 2024, ink on paper, 10 × 8 in
Expedition, 2024, ink on paper, 10 × 8 in
I Scare Crow, Crow Scare I, 2025, ink on paper, 10 × 8 in
Spring Soil, 2024, acrylic ink on paper, 10 × 8 in
A Swept Floor, 2024, acrylic ink on paper, 8 × 10 in
Late Autumn, 2024, walnut ink on paper, 8 × 10 in
Late Winter, 2024, acrylic ink on paper, 8 × 10 in
Rust, 2024, ink on paper, 10 × 8 in
2022-2023
Subject To Change, 2022, re-used gouache on paper, 12 × 12 in
The House of Asterion, 2022, gouache, ink, and watercolor on stretched paper, 44 × 56 in
Well-Sustained But Vain Fatigue, 2022, gouache and ink on stretched paper, 36 × 24 in
Bug House on Clinton Avenue, 2023, gouache and ink on stretched paper, 46 × 30 in
Lamp V, 2022, gouache and watercolor on stretched paper
Our Work, 2023, gouache and ink on stretched paper, 30 × 46 in
The Aleph, 2022, gouache and non photo blue pencil on stretched paper, 28 × 36 in
Allegory of Imagination (Ideas Mix Like Colors), 2022, gouache and ink on stretched paper, 18 × 24 in
Subject To Change, 2022, bisqueware
Subject To Change, 2022, bisqueware
Subject To Change, 2022, bisqueware
Subject To Change, 2022, bisqueware
2021
The Pinned Pawn, 2021, gouache on stretched paper, 20 × 20 in
The Living Room Floor, 2021, gouache on stretched paper, 12 × 18 in
The Power Nap, 2021, gouache on stretched paper, 18 × 24 in
The Dog Park, 2021, gouache on stretched paper, 20 × 20 in
The Breakaway, 2021, gouache on stretched paper, 20 × 20 in
The Gatekeepers, 2021, gouache on stretched paper, 22 × 30 in
The Outburst, 2021, gouache on stretched paper, 20 × 20 in
The Turn On Red, 2021, gouache on stretched paper, 30 × 22 in
The Rolling Boil, 2021, gouache on stretched paper, 30 × 22 in
The Shelf, 2021, gouache on stretched paper, 20 × 20 in
The Housemates, 2021, gouache on stretched paper, 20 × 20 in
Missing Goals, 2021, gouache on paper, 20 × 20 in
Memento Mori, 2021, gouache on stretched paper, 16 × 16 in
Exposure, 2021, gouache on stretched paper, 18 × 14 in
Subterranean Scattered Blues I, 2021, ink on paper, 24 × 24 in
Subterranean Scattered Blues II, 2021, ink on paper, 24 × 24 in
Crystal II, 2021, ink on paper, 8 × 8 in
Fuzzy, 2021, ink on paper, 8 × 8 in
Collide, 2021, ink on paper, 8 × 8 in
Connect, 2021, ink on paper, 8 × 8 in
Leak, 2021, ink on paper, 8 × 8 in
Roof, 2021, ink on paper, 8 × 8 in
Open, 2021, ink on paper, 8 × 8 in
Single-stranded Knot, 2021, ink on paper, 8 × 8 in
Many-stranded Knot, 2021, ink on paper, 8 × 8 in
Open Book / Silent Rewards, 2021, ink on stretched paper, 20 × 20 in
The Sensation of Warming Up, 2021, gouache on stretched paper, 14 × 14 in
Ecotones, 2021, gouache on stretched paper, 40 × 120 in
Ecotones I, 2021, gouache on stretched paper, 40 × 40 in
Ecotones II, 2021, gouache on stretched paper, 40 × 40 in
Ecotones III, 2021, gouache on stretched paper, 40 × 40 in
The Dubious Nature of Reflection, 2021, gouache on stretched paper, 44 × 30 in
Three Sisters, 2021, gouache on stretched paper, 44 × 30 in
The Combat between the Professor and the Poet, 2021, digital drawing
Black Magic and its Exposure, 2021, digital drawing
Azazello's Cream, 2021, digital drawing
By Candlelight, 2021, digital drawing
The End of Apartment No. 50, 2021, digital drawing
The Fate of The Master and Margarita is Decided, 2021, digital drawing
2020
Desk by Day & Night, 2020, gouache on paper, 18 × 36 in
An Ecotone Between Death and Consciousness, 2020, gouache on paper, 18 × 18 in
An Ecotone Between Ideas and Decisions, 2020, gouache on paper, 16 × 16 in
No Turn On Red, 2020, gouache on paper, 24 × 18 in
The Rolling Boil, 2020, gouache on paper, 18 × 14 in
The Entropy At The Kitchen Sink, 2020, gouache on paper, 14 × 18 in
The Search, 2020, gouache on stretched paper, 18 × 14 in
The Summer Sun, 2020, gouache on paper, 18 × 14 in
The Hi Rise Visitor, 2020, gouache on stretched paper, 12 × 18 in
The Movie Night, 2020, gouache on stretched paper, 20 × 20 in
The Water Based Painter, 2020, gouache on stretched paper, 14 × 18 in
The One In Armor, 2020, gouache on stretched paper, 12 × 22 in
2020
2020
The Drawings, 2020, ink and gouache on paper
2016-2019
Soul House (Pittsburgh), 2019, gouache on paper, 40 in
Soul House (Pittsburgh) #1, 2019, gouache on paper, 18 × 18 in
Soul House (Pittsburgh) #2, 2019, gouache on paper, 18 × 18 in
Soul House (Pittsburgh) #3, 2019, gouache on paper, 18 × 18 in
Soul House (Pittsburgh) #4, 2019, gouache on paper, 18 × 18 in
Plant Cell Still Life, 2019, gouache on claybord, 18 × 24 in
Front Lawn Still Life, 2019, gouache on paper, 12 × 16 in
Salt and Pepper Still Life, 2019, gouache, ink on paper, 18 × 24 in
Monkey With Mango, 2019, gouache on paper, 22 × 30 in
Reef Lamp, 2019, oil on canvas, 16 × 12 in
Bug On A Rug, 2019, gouache on paper, 16 × 12 in
Adam Names the Animals, 2019, oil on paper, 50 × 60 in
Adam Names the Animals (Detail), 2019, oil on paper
Still Life In New York, 2016, gouache on paper, 20 × 16 in
Learning Fractions, 2016, gouache on paper, 30 × 26 in
Stanley Cup Finals, 2016, gouache on paper, 16 × 20 in